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Studio Habits and Inspiration

The Afro Potter / Handmade  / Inspiration  / Studio Habits and Inspiration

Studio Habits and Inspiration

Inside the Studio: Tools, Rituals, and Rhythms of My Practice My studio is a quiet, evolving space where ideas take shape slowly. It’s not a showroom or a spotless workshop—it’s a space filled with tools I’ve come to trust, clay in different stages of becoming, and small traces of nature that drift in from outside.

I believe the energy you bring into the studio matters, so I try to arrive gently, with focus and curiosity. My favorite tools aren’t fancy. A simple wooden knife, a piece of sponge I’ve worn down, an old brush for softening seams. Sometimes a pressed leaf becomes a stamp. Sometimes my hands do all the work.

The process is tactile and responsive. I listen to what the clay is telling me that day. I don’t follow a rigid schedule, but I do believe in rhythm. There are seasons to my work—weeks where I’m building every day, others where I’m carving slowly, and times when I pause to photograph, reflect, or just look at what I’ve made. Rest is part of the rhythm, too.

Surrounding myself with inspiration matters. I keep dried leaves, stones from walks, photos I’ve taken of flowers or garden paths. I don’t always use them directly, but they remind me why I started. They bring me back when I’m stuck.

Consistency doesn’t mean making the same thing every day. For me, it means showing up. Being present with the material. Letting the work unfold, even when it’s slow. Especially when it’s slow.

 

Tracey-Ann Jarrett-Pena

I´m Tracey-Ann Jarrett, the artist behind The Afro Potter. Born in Jamaica and now based in Georgia, I create hand-built stoneware ceramics inspired by the natural world. My work is guided by a philosophy I call FloraSentimentalism™, an emotional and moral bond with plant life that honors the beauty of small, often overlooked moments. Before clay, there was nature photography. I’ve always been drawn to small details, to the things most people miss. That same eye now shapes my ceramics, where organic textures, subtle curves, and botanical forms come together in pieces that are both sculptural and functional. Each piece I make carries the memory of touch, time, and care. They are shaped slowly, grounded in intention, and made to reconnect us with the natural world.

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